a5c7b9f00b Having bought a model ship, the Unicorn, for a pound off a market stall Tintin is initially puzzled that the sinister Mr. Sakharine should be so eager to buy it from him, resorting to murder and kidnapping Tintin - accompanied by his marvellous dog Snowy - to join him and his gangthey sail to Morocco on an old cargo ship. Sakharine has bribed the crew to revolt against the ship's master, drunken Captain Haddock, but Tintin, Snowy and Haddock escape, arriving in Morocco at the court of a sheikh, who also has a model of the Unicorn. Haddock tells Tintin that over three hundred years earlier his ancestor Sir Francis Haddock was forced to scuttle the original Unicorn when attacked by a piratical forebear of Sakharine but he managed to save his treasure and provide clues to its location in three separate scrolls, all of which were secreted in models of the Unicorn. Tintin and Sakharine have one each and the villain intends to use the glass-shattering top Cs of operatic soprano the Milanese Nightingale to secure the third. With aid from bumbling Interpol agents the Thompson Twins our boy hero, his dog and the captain must prevent Sakharine from obtaining all three scrolls to fulfil the prophesy that only the last of the Haddocks can discover the treasure's whereabouts.
Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor.
I guess I went into this with very little background. I know my son owned a collection of Tin Tin comics when he was younger. I know that this is really a significant character to a great many people. Hence, like "The Lord of the Rings" the portrayal of these figures is going to bring angry disappointment to a segment of our viewers. Personally, if we were to take away the amazing animation and substitute real people, this story would be like a hundred others I have seen. It is the Saturday Morning serial portrayal of a reluctant hero who finds himself in incredible scrapes. What bothered me is that I never really cared. When I saw Hugo (a contemporary of this film), I was able to identify with the central figure, and though he was an animated character, I still cared about what happens to him. I'm sure people will see my criticismsunfair because this is more Indiana Jones than a subtle story strong on character development. I just never felt connected.
Awesome film, Spielberg at his best. This is a film for people who have adventure in there heart. It transports us to great looking locations all over the world just like the Tintin books did when i was younger. They have captured the look and feel of Tintins world just perfectly. The 3D works the best i've seen since avatar and really draws you in and immerses you into the story. I am was a fan of the books when i was younger, reading whichever ones i could find in the library but i wouldn't say you need to know anything about Tintin to enjoy this film. Its just a rip roaring adventure thats great fun for all ages. Bring on a sequel.
Clearly rejuvenated by his collaboration with producer Peter Jackson, and blessed with a smart script and the best craftsmanship money can buy, Spielberg has fashioned a whiz-bang thrill ride that's largely faithful to the wholesome spirit of his source but still appealing to younger, Tintin-challenged audiencs.
The Adventures of Tintin is an adaptation of the Belgian comic book series The Adventures of Tintin created by the Belgian artist Georges Rémi, who wrote under the pen name of Hergé. Specifically, it's based on three particular entries in the series: The Crab with the Golden Claws, The Secret of the Unicorn, and Red Rackham's Treasure. Steven Spielberg had planned on doing an adaptation of the Tintin series in the early 1980s,both he and Hergé were fans of each others' work. After the death of Hergé, however, the project fell out of development until it was recently revived. The script was co-written by British screenwriters Steven Moffat, Edgar Wright, and Joe Cornish. Many had expected from the trailers that both parts of the treasure hunt tale, "The Secret of the Unicorn" and "Red Rackham's Treasure" respectively, would be covered in the film. Once the film was out, however, this quite obviously turned out to be false. "Red Rackham's Treasure" is not in this film and, since professor Calculus is first introduced in that half of the tale, he fittingly doesn't appear. It then stands to reason that he will make an appearance in a sequel, should there be one. The film is actually a combination of "Crab with the Golden Claws" and "The Secret of the Unicorn", especially since the film depicts Tintin and Haddock's first encounter. Possibly the only scene taken from "Red Rackham's Treasure" is the ending, when they do find the actual treasure in its location. The original Tintin comic series spanned the years 1929 to 1976. While most of the series has aged well, some of the earlier entries in the series (specifically Tintin in the Land of the Soviets, Tintin in the Congo and Tintin in America) might appear controversial to modern audiences, due to stereotyped portrayals of other cultures. However, these depictions were not supposed to be intentionally malicious, but were rather the result of the cultural values at the time of their creation. The Tintin comics actually became well known for their accurate and tolerant portrayals of other cultures. During the creation of the fifth comic in the series The Blue Lotus, Hergé met a Chinese man named Zhang Chongren with whom he became lifelong friends. Because of this friendship, Hergé decide that from then on, the creation of all the Tintin comics would involve meticulous research into creating accurate depictions of other cultures. No, there's nothing after the credits. In the beginning of the movie, a newspaper stating that Tintin uncovered a tribe of gangsters in Africa has the date Wednesday, January 29th, 1930. The book on which the movie is based places the story in 1943. Right after the agent is killed at Tintin's frontdoor, we see some Citroën 2CV's parked outside, and when Tintin looks at the bloodstained newspaper, we see it is dated December 12th, 1944, but the 2CV is produced between 1948 and 1990. When the detectives leave Tintin's place, you see a yellow Renault 4cv parked at the other side of the street. This car was first introduced at the 33rd Paris Motor Show on October 3rd, 1946. In The Art of The Adventures of Tintin, a book which chronicles the making of the film, Weta Digital VFX Art Director Kim Sinclair was quoted:
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